C S F Crofton - ορισμός. Τι είναι το C S F Crofton
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Τι (ποιος) είναι C S F Crofton - ορισμός

IRISH ANTIQUARY AND ARTIST
T. Crofton Croker; T. C. Croker; Crofton Croker
  • T. Crofton Croker's autograph
  • —''Dublin University Magazine'' (1849)}}}}
  • Croker. Family-owned portrait.
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C. S. F. Crofton         
BRITISH PHILATELIST AND INDIAN CIVIL SERVANT
Charles Stanhope Foster Crofton (16 April 1873 – April 1909)Charles Stanhope Foster Crofton thepeerage.com Retrieved 13 August 2011.
Thomas Crofton Croker         
Thomas Crofton Croker (15 January 1798 – 8 August 1854) was an Irish antiquary, best known for his Fairy Legends and Traditions of the South of Ireland (1825–1828), and who also showed considerable interest in Irish song and music.
John Crofton         
BRITISH DOCTOR
Sir John Crofton; Crofton, John
Sir John Wenman Crofton (27 March 1912 – 3 November 2009) was a pioneer in the treatment of tuberculosis, who also spent the better part of his life raising awareness about the harmful effects of tobacco.

Βικιπαίδεια

Thomas Crofton Croker

Thomas Crofton Croker (15 January 1798 – 8 August 1854) was an Irish antiquary, best known for his Fairy Legends and Traditions of the South of Ireland (1825–1828), and who also showed considerable interest in Irish song and music.

Although Fairy Legends purported to be an anthology of tales Croker had collected on his field trips, he had lost his manuscript notes and the work had to be reconstructed with the help of friends. He did not acknowledge his debt satisfactorily in the estimation of Thomas Keightley, who voiced his complaint publicly, and soon published his own rival work. The other collaborators generally allowed Croker to take credit, notably William Maginn, though after his death his kinsmen insisted Maginn had written four or more of the tales. Croker retracted ten tales in his third edition of (1834), and after his death, a fourth edition (1859) appeared which was prefaced with a memoir written by his son.

William Butler Yeats, who appropriated a number of tales for his anthology, characterised Croker as belonging to the class of the Anglo-Irish ascendancy, and criticised him for comic distortions of the Irish tradition, an assessment echoed by other Irish critics. Bridget G. MacCarthy wrote a biographical paper that scrutinises Croker's habit of publishing writings by others under his own name. Defenders of Croker include Justin McCarthy and Neil C. Hultin.